In den letzten Jahren jedoch hat Avi Avital der Mandoline zu neuem internationalen Ansehen verholfen, ihr Repertoire wiederbelebt und sie zu einer festen. Zohar Ron. Avi Avital. Der aus Israel stammende Avi Avital wurde in Be'er Scheva geboren und widmete sich bereits im Alter von 8 Jahren der Mandoline. Avi Avital. Als erster Mandolinist, der für den Grammy Award nominiert wurde, ist Avi Avital einer der führenden Botschafter seines Instruments. Durch seine.
Avi AvitalZohar Ron. Avi Avital. Der aus Israel stammende Avi Avital wurde in Be'er Scheva geboren und widmete sich bereits im Alter von 8 Jahren der Mandoline. Avi Avital – Art of the Mandolin. Avi Avital (* in Be'er Scheva), hebräisch אבי אביטל, ist ein israelischer Mandolinist. Leben[Bearbeiten | Quelltext bearbeiten]. Im Alter von acht Jahren.
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But what was so special about Naples — why did the mandolin become so common there? The mandolin as we know it today is derived from the Neapolitan mandolin, but at the time when this instrument evolved there were a variety of plucked string instruments in Italy that were known as mandolins.
The Venetian mandolin had six double strings, or sometimes five, and was tuned in fourths rather than in fifths like the Neapolitan mandolin.
There was a Cremonese mandolin, a Milanese mandolin… almost every region in Italy had its own plucked string instrument with a soprano range.
This variety is still in evidence to this day. These days we call something a mandolin if it has four double strings and is tuned in fifths, but the shape is not standardised.
This shape, and the slightly more nasal tone that it produces, are the desired aesthetic for this kind of music.
The mandolin has always been varied, but from the Baroque period on, the instrument that we know today — metal strings, tuned in fifths, and other characteristics — is based on the Neapolitan mandolin.
I think it must have just fitted particularly well there. Several of the pieces featured on this album feature a variety of different plucked instruments — including substantial works by David Bruce, Paul Ben-Haim and Hans Werner Henze.
What do you think draws composers to this combination of plucked sonorities? You have the string quartet, or the wind quintet — so what would be the equivalent of that for plucked strings?
For Paul Ben-Haim, choosing the harpsichord, guitar and mandolin; from his perspective, he wanted to be the forefather of a new Israeli contemporary music for the twentieth century.
In his way, he tried to create a new art-musical language that was connected to the local culture. There are references to Middle Eastern instruments, even while using Western ones for instance in many places in the Ben-Haim sonata, the harpsichord sounds like a qanun and the guitar sounds like an oud.
In addition to the Grammy nomination, he has won Israel's Aviv Competition and received Germany's ECHO Prize. Avital's recording debut, a collection of sonatas and concertos entitled Bach , was released on June 12, Avital continues a tradition of virtuosic mandolin players that has brought the classical-music mandolin to public attention.
Largely dormant as a group since the s, talented players are again getting attention for doing new things with the mandolin, including Italians Carlo Aonzo and Mauro Squillante , Americans Chris Thile , Joseph Brent and Mike Marshall , and Israelis Avi Avital, Tom Cohen, Jacob Reuven and Alon Sariel.
Avital purposely set out to improve the mandolin's place in the world. Avital's path to success didn't simply involve digging into the archive of music historically played on the mandolin.
Although he makes new arrangements of classical works not intended originally for mandolin, Avital has also added new music to the classical mandolin music base.
From Wikipedia, the free encyclopedia. Avi Avital mandola , Klaus Stoll double bass , Itamar Doari percussion , Richard Galliano accordion , Giora Feidman clarinet Recorded: Recording Venue: Siemensvilla, Berlin.
Klaus Stoll double bass , Avi Avital mandolin , Zvi Plesser cello , Ivano Battiston accordion , Amihai Grosz viola , Simone Bernardini violin , Ohad Ben-Ari work arranger Recorded: Recording Venue: Teldex Studio, Berlin.
Vivace ma non troppo. Traditional Welsh: Hen Ferchetan. Avi Avital mandola , Catrin Finch harp , Catrin Finch work arranger , Avi Avital work arranger Recorded: Recording Venue: ACAPELA Studio, Pentyrch, Cardiff, Wales.
Avi Avital mandolin , Catrin Finch harp , Catrin Finch work arranger , Avi Avital work arranger Recorded: Recording Venue: ACAPELA Studio, Pentyrch, Cardiff, Wales.
Return to main site. View product. Time elapsed Time remaining They sound to me almost like a trio of sweet, gentle music boxes playing at the same time but sometimes going off in their own ways, making quite a cacophony.
What do you imagine? The population was around , at the time. It had a university. It had a hospital. It was a small town with a lot of people.
How did that happen? Musically, he belonged to the great Russian-Jewish romantic school. He played with huge pathos.
When he came to Israel in the s, there was no work for him as a violin professor.Avi Avital tour dates and tickets near you. Want to see Avi Avital in concert? Find information on all of Avi Avital’s upcoming concerts, tour dates and ticket information for Avi Avital is not due to play near your location currently - but they are scheduled to play 1 concert across 1 country in View all concerts. Avi Avital - Bach - Concertos Sonata (Trailer)Listen to „Avi Avital Plays Bach“ – indiancinemaevents.com Subscribe here – The Best Of Classical Music. Born in Be’er Sheva in southern Israel, Avital began learning the mandolin at the age of eight and soon joined the flourishing mandolin youth orchestra founded and directed by his charismatic teacher, Russian-born violinist Simcha Nathanson. Mandolinist Avi Avital & Harpist Bridget Kibbey Come Together To Re-Imagine Bach Bridget Kibbey indiancinemaevents.com indiancinemaevents.com Avi Avita. Vivaldi Concertos for mandolin Avi Avital Venice Baroque Orchestra. Vivaldi Concertos for mandolin Avi Avital Venice Baroque Orchestra. From Bach to Bluegrass to Balkan Beats, Avi Avital plays all with charismatic charm. After the success of “Bach”, Avi returns to again defy expectations with a selection of beautiful melodies and delightful dances from Europe, Central Asia, and the Americas, each with roots in popular folk traditions, arranged by some of the world’s greatest classical composers. Avi Avital is on Facebook. Join Facebook to connect with Avi Avital and others you may know. Facebook gives people the power to share and makes the world. It is the first time Avital has made an album where the entire repertoire was originally written for the mandolin. He was joined for the recording by the Venice Baroque Orchestra, harpist Anneleen Lenaerts, guitarist Sean Shibe, harpsichordist Yizhar Karshon and theorbo player Ophira Zakai.