Bis entstanden sieben abendfüllende Spielfilme. In zwei Filmen spielte er selbst nicht mit. Gegen Ende seines Lebens fand Bogart zu großen. Alles zu Humphrey Bogart (*) bei indiancinemaevents.com · Hier findest du alle Filme von Humphrey Bogart, Biografie, Bilder und News · indiancinemaevents.com Online-Shopping mit großer Auswahl im DVD & Blu-ray Shop.
Humphrey Bogart Filme28 Filme mit Humphrey Bogart jetzt zum Streamen verfügbar. NEU: PODCAST: Die besten Streaming-Tipps gibt's im Moviepilot-Podcast Streamgestöber. Top-Angebote für Filme auf DVD und Blu-Ray - & Entertainment Bogart Humphrey online entdecken bei eBay. Top Marken. Als markanter Charakterdarsteller erspielte sich Humphrey Bogart einen Platz in der Filmgeschichte. Unvergessen seine Dialoge im Kultfilm.
Humphrey Bogart Filme 3 Replies to “The 10 Best Humphrey Bogart Movies You Need To Watch” VideoBeat The Devil (1953) [Action] [Adventure] [Comedy] Fight promoter Nick Donati grooms a bellhop as a future champ, but has second thoughts when the 'kid' falls for his sister. Director: Michael Curtiz | Stars: Edward G. Robinson, Bette Davis, Humphrey Bogart, Wayne Morris Votes: 3, Humphrey Bogart este unul dintre cei mai cunoscuti si iubiti actori americani, care a reusit sa ajunga la proportiile unei adevarate legende a cinematografului mondial, pastrandu-si aura de-a lungul timpului. Inca admirat si iubit de pasionatii de film, Bogart s-a remarcat prin interpretarea unor personaje inteligente, puternice, inzestrate cu umor, dar si dure, ce isi pierd uneori /10(). 11/3/ · During this time, Bogart became the quintessential hard-boiled cynical though guy, a true screen legend and ultimately a genuine cultural icon. Born on December 25th as Humphrey DeForest Bogart, “Bogie” started acting in . Dezember in New York. Von ihrer Ausbildung in Paris kehrt Sabrina Audrey Hepburn nach Long Island zurück, wo sie als Chauffeurs-Tochter auf dem stattlichen Anwesen der Millionärsfamilie Larrabee aufgewachsen ist. Immerhin lernt er an Millennium Falcon namhaften New Yorker Theater-Meile seinen künftigen Busenfreund Spencer Tracy Vater Die Welle Online Anschauen BrautDer alte Mann und das Meer kennen. Sein letzter Film wird das Boxerdrama Schmutziger Lorbeer mit Rod Steiger In der Hitze der NachtDoktor Schiwago und Harold J.
Bogart debuted on film with Helen Hayes in the two-reeler, The Dancing Town , a complete copy of which has not been found.
He also appeared with Joan Blondell and Ruth Etting in a Vitaphone short, Broadway's Like That , which was rediscovered in There he met Spencer Tracy , a Broadway actor whom Bogart liked and admired, and they became close friends and drinking companions.
In , Tracy first called him "Bogie". Tracy received top billing, but Bogart appeared on the film's posters.
Bogart then had a supporting role in Bad Sister with Bette Davis. Both wanted top billing, however; Tracy dropped out, and was replaced by Fredric March.
His parents had separated; his father died in in debt, which Bogart eventually paid off. He inherited his father's gold ring, which he wore in many of his films.
At his father's deathbed, Bogart finally told him how much he loved him. In , Bogart starred in the Broadway play Invitation to a Murder at the Theatre Masque renamed the John Golden Theatre in Its producer, Arthur Hopkins , heard the play from offstage; he sent for Bogart and offered him the role of escaped murderer Duke Mantee in Robert E.
Sherwood 's forthcoming play, The Petrified Forest. When I saw the actor I was somewhat taken aback, for [I realized] he was the one I never much admired.
He was an antiquated juvenile who spent most of his stage life in white pants swinging a tennis racquet. He seemed as far from a cold-blooded killer as one could get, but the voice[,] dry and tired[,] persisted, and the voice was Mantee's.
The play had performances at the Broadhurst Theatre in New York in Humphrey Bogart does the best work of his career as an actor.
Howard, who held the production rights, made it clear that he wanted Bogart to star with him. The studio tested several Hollywood veterans for the Duke Mantee role and chose Edward G.
Robinson , who had star appeal and was due to make a film to fulfill his contract. Bogart cabled news of this development to Howard in Scotland, who replied: "Att: Jack Warner Insist Bogart Play Mantee No Bogart No Deal L.
When Warner Bros. According to Variety , "Bogart's menace leaves nothing wanting". Nugent wrote for The New York Times that the actor "can be a psychopathic gangster more like Dillinger than the outlaw himself.
There must be something in my tone of voice, or this arrogant face—something that antagonizes everybody. Nobody likes me on sight. I suppose that's why I'm cast as the heavy.
In spite of his success, Warner Bros. His roles were repetitive and physically demanding; studios were not yet air-conditioned , and his tightly-scheduled job at Warners was anything but the indolent and "peachy" actor's life he hoped for.
Bogart used these years to begin developing his film persona: a wounded, stoical, cynical, charming, vulnerable, self-mocking loner with a code of honor.
Amenities at Warners were few, compared to the prestigious Metro-Goldwyn-Mayer. Bogart thought that the Warners wardrobe department was cheap, and often wore his own suits in his films; he used his dog, Zero, to play Pard his character's dog in High Sierra.
His disputes with Warner Bros. Leading men at Warner Bros. Most of the studio's better scripts went to them or others , leaving Bogart with what was left: films like San Quentin , Racket Busters , and You Can't Get Away with Murder His only substantial role during this period was in Dead End , on loan to Samuel Goldwyn , as a gangster modeled after Baby Face Nelson.
Bogart played violent roles so often that in Nevil Shute 's novel, What Happened to the Corbetts , the protagonist replies "I've seen Humphrey Bogart with one often enough" when asked if he knows how to operate an automatic weapon.
The studio cast Bogart as a wrestling promoter in Swing Your Lady , a " hillbilly musical" which he reportedly considered his worst film performance.
I wouldn't have minded so much. The trouble was they were drinking mine and I was making this stinking movie. After the play closed, Mary relented; she insisted on continuing her career, however, and they divorced in Bogart entered a turbulent third marriage to actress Mayo Methot , a lively, friendly woman when sober but paranoid and aggressive when drunk, on August 21, She became convinced that Bogart was unfaithful to her which he eventually was, with Lauren Bacall, while filming To Have and Have Not in She set their house afire, stabbed him with a knife, and slashed her wrists several times.
Bogart needled her; apparently enjoying confrontation, he was sometimes violent as well. The press called them "the Battling Bogarts". According to their friend, Julius Epstein , "The Bogart-Methot marriage was the sequel to the Civil War ".
We get on so well together because we don't have illusions about each other I wouldn't give you two cents for a dame without a temper. He had a lifelong disdain for pretension and phoniness,  and was again irritated by his inferior films.
Bogart rarely watched his own films and avoided premieres, issuing fake press releases about his private life to satisfy journalistic and public curiosity.
Bogart advised Robert Mitchum that the only way to stay alive in Hollywood was to be an "againster". He was not the most popular of actors, and some in the Hollywood community shunned him privately to avoid trouble with the studios.
All over Hollywood, they are continually advising me, "Oh, you mustn't say that. That will get you in a lot of trouble," when I remark that some picture or writer or director or producer is no good.
I don't get it. If he isn't any good, why can't you say so? If more people would mention it, pretty soon it might start having some effect. The local idea that anyone making a thousand dollars a week is sacred and is beyond the realm of criticism never strikes me as particularly sound.
The Hollywood press, unaccustomed to such candor, was delighted. High Sierra , directed by Raoul Walsh was written by John Huston , Bogart's friend and drinking partner.
The film was adapted from a novel by W. Burnett , author of the novel on which Little Caesar was based. Walsh initially opposed Bogart's casting, preferring Raft for the part.
It was Bogart's last major film as a gangster; a supporting role followed in The Big Shot , released in He worked well with Ida Lupino , sparking jealousy from Mayo Methot.
The film cemented a strong personal and professional connection between Bogart and Huston. Bogart admired and somewhat envied Huston for his skill as a writer; a poor student, Bogart was a lifelong reader.
He could quote Plato , Pope , Ralph Waldo Emerson and over a thousand lines of Shakespeare , and subscribed to the Harvard Law Review.
He enjoyed intense, provocative conversation accompanied by stiff drinks , as did Huston. Both were rebellious and enjoyed playing childish pranks.
Huston was reportedly easily bored during production, and admired Bogart also bored easily off-camera for his acting talent and his intense concentration on-set.
Now regarded as a classic film noir , The Maltese Falcon was John Huston's directorial debut. Based on the Dashiell Hammett novel, it was first serialized in the pulp magazine Black Mask in and was the basis of two earlier film versions; the second was Satan Met a Lady , starring Bette Davis.
Wallis initially offered to cast George Raft as the leading man , but Raft more established than Bogart had a contract stipulating he was not required to appear in remakes.
Fearing that it would be nothing more than a sanitized version of the pre- Production Code The Maltese Falcon , Raft turned down the role to make Manpower with director Raoul Walsh.
Huston then eagerly accepted Bogart as his Sam Spade. Complementing Bogart were co-stars Sydney Greenstreet , Peter Lorre , Elisha Cook Jr.
Bogart was unusually happy with the film: "It is practically a masterpiece. I don't have many things I'm proud of Bogart played his first romantic lead in Casablanca : Rick Blaine, an expatriate nightclub owner hiding from a suspicious past and negotiating a fine line among Nazis , the French underground , the Vichy prefect and unresolved feelings for his ex-girlfriend.
Bosley Crowther wrote in his November New York Times review that Bogart's character was used "to inject a cold point of tough resistance to evil forces afoot in Europe today".
Bogart and Bergman's on-screen relationship was based on professionalism rather than actual rapport, although Mayo Methot assumed otherwise.
Off the set, the co-stars hardly spoke. Bergman who had a reputation for affairs with her leading men  later said about Bogart, "I kissed him but I never knew him.
Bogart is reported to have been responsible for the notion that Rick Blaine should be portrayed as a chess player, a metaphor for the relationships he maintained with friends, enemies, and allies.
He played tournament-level chess one division below master in real life, often enjoying games with crew members and cast but finding his better in Paul Henreid.
Casablanca won the Academy Award for Best Picture at the 16th Academy Awards for Bogart was nominated for Best Actor in a Leading Role , but lost to Paul Lukas for his performance in Watch on the Rhine.
The film vaulted Bogart from fourth place to first in the studio's roster, however, finally overtaking James Cagney.
Bogart went on United Service Organizations and War Bond tours with Methot in and , making arduous trips to Italy and North Africa including Casablanca.
He starred in Conflict ,  again with Greenstreet , but turned down God is My Co-Pilot that year. Bogart met Lauren Bacall — while filming To Have and Have Not , a loose adaptation of the Ernest Hemingway novel.
It has several similarities to Casablanca : the same enemies, the same kind of hero, and a piano player played by Hoagy Carmichael.
Bogart was attracted by Bacall's high cheekbones, green eyes, tawny blond hair, lean body, maturity, poise and earthy, outspoken honesty;  he reportedly said, "I just saw your test.
We'll have a lot of fun together". Their emotional bond was strong from the start, their difference in age and acting-experience encouraged a mentor-student dynamic.
In contrast to the Hollywood norm, their affair was Bogart's first with a leading lady. However, Hawks began to disapprove of the relationship.
Not usually drawn to his starlets, the married director also fell for Bacall; he told her that she meant nothing to Bogart and threatened to send her to the poverty-row studio Monogram Pictures.
Bogart calmed her down, and then went after Hawks; Jack Warner settled the dispute, and filming resumed. Months after wrapping To Have and Have Not , Bogart and Bacall were reunited for an encore: the film noir The Big Sleep , based on the novel by Raymond Chandler with script help from William Faulkner.
Chandler admired the actor's performance: "Bogart can be tough without a gun. Also, he has a sense of humor that contains that grating undertone of contempt.
At director Howard Hawks' urging, production partner Charles K. Feldman agreed to a rewrite of Bacall's scenes to heighten the "insolent" quality which had intrigued critics such as James Agee and audiences of the earlier film, and a memo was sent to studio head Jack Warner.
The dialogue, especially in the added scenes supplied by Hawks, was full of sexual innuendo , and Bogart is convincing as private detective Philip Marlowe.
The film was successful, although some critics found its plot confusing and overly complicated. Bogart filed for divorce from Methot in February He and Bacall married in a small ceremony at the country home of Bogart's close friend, Pulitzer Prize -winning author Louis Bromfield ,  at Malabar Farm near Lucas, Ohio on May 21, Bogart's drinking was sometimes problematic.
He found the sea a sanctuary  and spent about thirty weekends a year on the water, with a particular fondness for sailing around Catalina Island : "An actor needs something to stabilize his personality, something to nail down what he really is, not what he is currently pretending to be.
The suspenseful Dark Passage was Bogart and Bacall's next collaboration. Bogart and Bacall's last pairing in a film was in Key Largo Directed by John Huston, Edward G.
Robinson was billed second behind Bogart as gangster Johnny Rocco: a seething, older synthesis of many of his early bad-guy roles. The characters are trapped during a hurricane in a hotel owned by Bacall's father-in-law, played by Lionel Barrymore.
Claire Trevor won an Academy Award for Best Supporting Actress for her performance as Rocco's physically-abused, alcoholic girlfriend.
Riding high in with a new contract which provided limited script refusal and the right to form his production company, Bogart rejoined with John Huston for The Treasure of the Sierra Madre : a stark tale of greed among three gold prospectors in Mexico.
A young socialite is diagnosed with an inoperable brain tumor, and must decide whether or not she'll meet her final days with dignity. Director: Edmund Goulding Stars: Bette Davis , George Brent , Humphrey Bogart , Geraldine Fitzgerald.
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He appeared in 17 plays on Broadway, including the role that would propel him to fame and success in the movie industry.
January through June , he appeared on the Broadway stage as Duke Manatee in performances of The Petrified Forest. Manatee was a murderer fleeing across the Arizona-Mexico border, to evade capture by law enforcement.
Note that the opening and closing dates of the below productions are not listed. With the exception of The Petrified Forest , the sources do not indicate whether or not Bogart was in the entire run of any production.
Bogart always believed that the future of his profession was ultimately in the burgeoning film industry. After signing with Charles Frohman Productions , he was cast as the male lead opposite stage actress Helen Hayes in a two-reel silent The Dancing Town for Paramount Pictures.
He made 75 feature length films in his career. Two serendipitous events helped pave a path for his career ambitions. During the last half of the s decade, the film industry's transition from the silent era to sound films had turned its focus towards stage actors whose vocal talents had been honed in front of live audiences.
The films made in Hollywood under his Fox contract were A Devil with Women , Up the River , A Holy Terror , Body and Soul , and Women of All Nations While still in California, he also made Bad Sister for Universal Pictures.
Bogart was less than impressed with the end products, and returned to his stage career in New York. When Warner Brothers purchased the film rights for The Petrified Forest , Leslie Howard retained the lead role he had held on the Broadway stage, but the studio had replaced Bogart in the role of Manatee with Edward G.
Howard intervened on Bogart's behalf to secure the role for him. Bogart continued to appear in feature films for the rest of his life, and claimed that "at Warner Brothers in the 30s, I became a one-man film factory.
His body of work there included some of his most acclaimed films: Dark Victory , High Sierra , The Maltese Falcon , Casablanca , To Have and Have Not , The Big Sleep , The Treasure of the Sierra Madre and Key Largo Bogart created his own Santana Productions in The company produced Knock on Any Door , Tokyo Joe , And Baby Makes Three starring Robert Young and Barbara Hale , Sirocco , The Family Secret starring John Derek and Lee J.
Cobb , and Beat the Devil , Bogart's spoof of The Maltese Falcon. The company's production of In a Lonely Place was added to National Film Registry in , "to be preserved for all time".
From Wikipedia, the free encyclopedia. Redirected from Humphrey Bogart filmography. In a aparut si filmul "The Petrified Forest", iar Bogart a beneficiat de cronici elogioase, dar si un sir de roluri de "dur" in pelicule produse de Warner Brothers, care totusi nu ii permiteau sa se manifeste pe deplin ca actor.
In "cariera" sa de personaj dur Bogart a fost condamnat la scaunul electric de 12 ori si condamnat la de ani de munca silnica, din fericire doar pe marele ecran.
Cum Mary Philips a refuzat sa renunte la cariera sa de actrita pe Broadway cuplul a ajuns foarte repede la divort.
Pe 21 august Bogart a inceput cea de a treia casatorie, ce avea sa se dovedeasca un adevarat dezastru si care l-a facut sa se simta tot mai singur si mai frustrat, ajungand sa creada chiar ca destinul sau este sa fie nefericit.
Cea de a treia sotie a fost Mayo Methot, o femeie plina de viata si prietenoasa, dar cu o afectiune deosebita pentru alcool si accese de paranoia, convinsa ca Bogart ii este necredincios.
Pe masura ce intre cei doi aparea distanta, Mayo a inceput sa bea tot mai mult si sa provoace scandaluri monstruoase, in care nu de putine ori l-a atacat pe Bogart.
In , Warner Brothers l-a convins pe Bogart sa joace intr-un musical, numit Swing Your Lady, in rolul unui promotor de wrestling care se ocupa de cariera in acest sport a unui urias idiot.
In Bogart a facut un nou compromis cand a acceptat sa joace rolul unui vampir in "The Return of Doctor X", chiar daca actorul avea sa regrete aceasta alegere.
Sistemul in care functionau studiourile in epoca ii constrangea pe actori sa lucreze pentru un singur producator, iar cei de la Warner Brothers nu aveau nici un interes sa il transforme pe Bogart intr-o vedeta.
Era vorba de cantitate, nu de calitate. Turnarea unui nou film putea sa inceapa la doar cateva ore dupa ce cel precedent fusese terminat, totul intr-o goana nebuna dupa profituri.
Un actor angajat al unui anumit studio care refuza un rol putea sa fie suspendat fara sa mai primeasca vreun ban. Lui Bogart nu i-au placut multe dintre rolurile alese de producatori, dar s-a vazut nevoit sa le accepte si a muncit in permanenta : intre Bogart a jucat in medie intr-un film la fiecare doua luni.
Cum era nemultumit si de garderoba oferita de Warner Brothers obisnuia sa-si poarte propriile costume in pelicule, iar in High Sierra si-a adus propriul caine.
In California, in anii '30, Bogart a cumparat un yaht, transformand marea in sanctuarul sau, unde se refugia cand simtea ca este momentul unei evadari.
Era foarte priceput la navigatie, multi marinari adevarati admirandu-l pentru naturaletea cu care isi conducea barca o buna parte din timpul sau liber.
Dar Bogart nu era singurul actor cu cota al vremii. In afara de nume ca James Cagney, Spencer Tracy si Edward G. Robinson existau si numerosi actori astazi aproape uitati, dar foarte apreciati atunci, ca Victor McLaglen, George Raft si Paul Muni.
Cele mai multe dintre scenariile bune ale studiourilor Warner Brothers erau destinate din start acestora, iar Bogart era mereu lasat la o parte.
Dar nici Bogart nu parea sa isi bata prea mult capul cu filmele sale, pe care nu le vedea decat arareori. Nici macar nu participa la premiera, incalcand astfel una dintre regulile nescrise ale Hollywood-ului.
Prin educatia primita Bogart privea rolul de actor ca potrivit unui gentleman si personajele din peliculele de categoria B carora le dadea viata nu erau lucruri cu care sa se mandreasca.
Mai era mult timp pana sa dea viata unor personaje memorabile si unor roluri care aveau sa ramana in istoria cinematografiei mondiale. Intreaga viata a simtit un adevarat dezgust pentru fals, pentru prefacatorie, pentru snobism.
Sensibil si in egala masura caustic, dezgustat de filmele proaste in care era nevoit sa joace, Bogart le aparea celorlalti ca un idealist amar, un om care se ascundea in New York de sine, care bea si fuma prea mult, parca sortit sa isi petreaca viata printre mediocri.
Avea adesea probleme din cauza onestitatii exagerate, neezitand sa critice un actor sau regizor a carui munca nu ii placuse, atragandu-si prin aceasta multe adversitati, dar si o anumita admiratie.
In total a jucat in 75 de filme de lung metraj. Filme Actiune Comedie Dragoste Drama Horror Western Indiene Romanesti Filme noi Filme Filme Filme Filme Premiere cinema Filme la TV Filme pe DVD Filme pe Blu-ray Filme Oscar Nu ai cont?
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